ntually became employees of the studio.[3] After a slow start, the studio began to take off in 1940 after its short The Milky Way became the first non-Disney cartoon to win the Academy Award for Best Short Subjects: Cartoons.[4] The studio's roster of talent was benefited from an exodus of animators from the Schlesinger and Disney studios, who were facing issues with union workers. Originally established and run by executive Fred Quimby, in 1955 William Hanna & Joseph Barbera, the writer-directors of the Tom and Jerry cartoons, became the heads of the studio. The cartoon studio was closed in mid-1957,[5] at which time Hanna and Barbera took much of the staff to form their own company, Hanna-Barbera Productions.[6]
Contents [hide]
1 Early years
2 Metro-Goldwyn-Mayer characters
3 Golden Age of American animation
3.1 Early years
3.2 Harman and Ising return
3.3 Hanna-Barbera: Tom and Jerry
3.4 Tex Avery
3.5 1950s, CinemaScope
3.6 Later years
3.7 Legacy
4 Notable crew members
5 Productions
5.1 Theatrical cartoon shorts series
5.2 One-shot theatrical shorts
6 See also
7 Notes
8 References
Early years[edit]
To promote their films and attract larger theater audiences, motion picture chains in the 1930s provided many features to supplement the main feature, including travelogues, serials, short comedy subjects, newsreels and cartoons. During the late 1920s, Walt Disney Productions had achieved huge popular and critical success with their Mickey Mouse cartoons for Pat Powers' Celebrity Pictures (distributing for Columbia Pictures). Several other studios, Metro-Goldwyn-Mayer among them, took note of Disney's success and began to look for ways to get Disney or compete.
MGM's first foray into animation was the Flip the Frog cartoon series, starring an anthropomorphic talking and singing frog. The series was produced independently for Celebrity Pictures by Ub Iwerks, formerly the head animator at the Disney studio. Celebrity Pictures' Pat Powers had hired Iwerks away from Disney with the promise of giving Iwerks his own studio, and was able to secure a distribution deal with MGM for the Flip the Frog cartoons. The first Flip the Frog cartoon, Fiddlesticks, was released in August 1930,[7] and over two-dozen other Flip cartoons followed during the next three years. In 1933, the Flip character was dropped in favor of Willie Whopper, a new series featuring a lie-telling little boy. Willie Whopper failed to catch on, and MGM terminated its distribution deal with Iwerks and Powers, who had already began distributing their Comi-Color cartoons on their own.[8]
In February 1934 MGM signed a new deal with the Harman-Ising studio, which had just broken ties with producer Leon Schlesinger and the Warner Bros. studio over budget concerns, to work on a new series of high-budget color cartoons.[2] The director team brought with them much of their staff from their time with Schlesinger, including animators and storymen such as Carmen "Max" Maxwell, William Hanna, and brothers Robert and Tom McKimson.[9] (The McKimsons would later return to Schlesinger.) Also following Harman and Ising from Schlesinger was Bosko, a successful character the duo had created for the Warner cartoons.
The first entry in MGM's new Happy Harmonies cartoon series, The Discontented Canary, was completed in June 1934 and released in September. The series continued for three years, moving from two-strip to three-strip Technicolor in 1935. The Happy Harmonie
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